A) isolating each element in a single shot and then linking the two elements by editing.
B) putting two elements in the same shot and letting us observe comic juxtaposition.
C) isolating each element in a single shot and then allowing the progression of shots to create comic structure.
D) following heavily physical actions by the characters with scenes of extreme stillness to create comic juxtaposition of opposite levels of movement.
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Multiple Choice
A) determining the organizational structure
B) identifying the salient techniques used
C) tracing out patterns of techniques
D) proposing functions for the salient techniques and the patterns they form
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Multiple Choice
A) the shock cut.
B) the swish pan.
C) the sound bridge.
D) superimposition.
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Multiple Choice
A) informational, mostly to orient the audience as to the current events in the town to which Little Charlie has moved
B) to strengthen the audience's and Little Charlie's suspicions that the uncle is a murderer
C) to strengthen the audience's suspicions that the uncle is a murderer while keeping Little Charlie in the dark
D) to confuse the audience as to the true motives of the principal characters, especially Little Charlie
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Multiple Choice
A) diegetic sound and visual puns
B) rapid montage and nondiegetic inserts
C) reliance on character performance and close-ups
D) nondiegetic sound and comedic dialogue
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True/False
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Multiple Choice
A) does not reference the beginning of the film, which is a move away from traditional organizational form.
B) provides firm resolution to the mystery of Kane's character.
C) echoes the beginning of the film explicitly.
D) provides no real insights into Kane's character.
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Multiple Choice
A) They make the audience identify with the murderer.
B) They put the audience close to Little Charlie.
C) They keep the audience confused as to the true motives of Uncle Charlie.
D) They take us chronologically through the defining moments of Little Charlie's adolescent life.
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Multiple Choice
A) documentary films.
B) thrillers.
C) romance films.
D) mystery movies.
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Multiple Choice
A) crosscutting.
B) nondiegetic inserts.
C) nonactors.
D) dolly and crane shots.
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